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When you
buy a Copeman Hart organ, you are making a capital investment
in every sense, and the organ becomes an increasing
asset.
Because every instrument is under our total control
in our workshops, we can accommodate every individual
requirement: not only the stoplist, but the layout
of the stops, positions of thumb pistons, etc, and style
and colour of console. Our own dedicated staff
handle every stage of building the organ, from initial
concept to final installation and voicing.
Whether the organ is a large four-manual, or a small
single manual chamber organ, the quality and care devoted
to each stop will be exactly the same. Our detailed
planning and co-operation with architects and consultants,
whether for an enormous concert hall or a small chapel,
is well known indeed. Because we go to such lengths
to obtain the best possible results before, during and
after the installation, we receive literally hundreds
of letters of praise from clients who expected excellence
and received even more.
It is important to note that a Copeman Hart organ does
not become obsolete: our digital system is software
based, which means we can (and do) continually incorporate
the improvements that we make in voicing techniques,
not only in new organs but retrospectively in our earlier
instruments. Also, as new and faster hardware is developed,
it is always compatible with our earlier digital organs.
Thus a policy of on-going improvement does not
necessitate the development of new 'models' but ensures
that every organ we make is able to be up-dated. Some
of our older analogue organs (and we have organs over
25 years old which are still going strong and are serviceable
with modern components) have been 'digitised' at minimal
cost when the client has wished to take advantage of
our superior digital voicing. |
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