Installation St Edmunds' School
Location Canterbury
Date Installed April 1996
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Specification
Accessories
Testimonial
This organ was originally built to the specification of Paul Hale for Southwell Minster. It became available when funds were eventually raised to purchase the magnificent Nicholson four-manual tracker organ, and we were asked to provide five new pedal stops for the Minster's two pipe organs.
GREAT
Bourdon
16  
Open Diapason 1
8  
Open Diapason 2
8  
Wald Flute
8  
Stopped Diapason
8  
Principal
4  
Harmonic Flute
4  
Fifteenth
2  
Full Mixture
IV  
Sharp Mixture
III  
Cornet
V  
Posaune
8  
Tremulant  
Swell to Great  
Choir to Great  
SWELL (ENCLOSED)
Open Diapason
8  
Gedackt
8  
Viola da Gamba
8  
Voix Célestes
8  
Principal
4  
Spitz Flute
4  
Fifteenth
2  
Sesquialtera
II  
Mixture
IV  
Double Trumpet
16  
Trumpet
8  
Oboe
8  
Clarion
4  
Tremulant  
-  
CHOIR (ENCLOSED)
Bell Gamba
8  
Rohr Flute
8  
Gemshorn
4  
Nason Flute
4  
Nazard
2 2/3
Octave
2  
Block Flute
2  
Tierce
1 3/5
Larigot
1 1/3
Sharp Mixture
III  
Cremona
8  
Tremulant  
Harmonic Trumpet (unenclosed)
8  
Swell to Choir  
Great to Choir  
PEDAL
Sub Bass
32  
Open Diapason
16  
Violone
16  
Bourdon
16  
Principal
8  
Bass Flute
8  
Gemshorn
4  
Mixture
IV  
Ophicleide
16  
Bassoon
16  
Trumpet
8  
Great to Pedal  
Swell to Pedal  
Choir to Pedal  
Gt & Ped pistons  
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Eight thumb pistons to Great
Eight thumb pistons to Swell
Eight thumb pistons to Choir
Eight general thumb pistons
Eight toe pistons to Pedal
Eight toe pistons to Swell
(switchable to General)

All departmental and general pistons are adjustable by capture system with five long-term memories
Reverser thumb pistons to Swell to Great, Choir to Great, Swell to Choir, Great to Choir, Great to Pedal, Swell to Pedal, Choir to Pedal, Sub Bass

Reverser toe pistons to Swell to Great, Great to Pedal

General cancel
Dual voicing switch for English and French voicing

32-note radiating and concave pedalboard

61-note wooden manuals (C - C) with tracker touch


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The service of dedication of the new Copeman Hart organ in the Chapel of St Edmund's School, Canterbury, drew many distinguished visitors. There was a real sense of occasion. The atmosphere tingled with jubilant expectation. The congregation fired with enthusiasm by the new organ, raised the roof of the early Victorian School Chapel. The Chaplain declared afterwards that in all his twelve years at St Edmund's the dedication service of the Copeman Hart organ represented the zenith of musical achievement and experience in the life of the Chapel.

"For years, it had been a dream to replace the worthy but worn out Father Willis organ. A Trust Fund had been established and clearly the trustees and the Director of Music, Ian Sutcliffe, and Chapel organist, Andrew Bryden FRCO, wanted to make a choice worthy of the trust of those who had so generously given to the fund. Favourable reports had reached St Edmund's of the Copeman Hart organ in Southwell Minster, and after consultations had been made, the momentous decision was taken.

"It was vindicated when the eminent and distinguished Dr Allan Wicks CBE, former Organist and Master of the Canterbury Cathedral Choristers - who are educated at St Edmund's School - gave a learned and laudatory address at the service of dedication. Laudatory because he had been visibly moved by the exhilarating and idiomatic performance of 'Hear my words, ye people' by Parry, accompanied by Andrew Bryden and rivetingly sung by the Chapel choir under the incisive direction of Ian Sutcliffe. Indeed, not only visibly, but also verbally moved: Dr Wicks declared the organ to be magnificent. All who were present agreed. And Dr Wicks' address was learned, in that one of the messages that he wanted to put across, which certainly struck a chord with those present, including the Headmaster, Mr Nicholas Ridley, was that the greatest art emanates from a framework of discipline.

"So it is with the partnership of St Edmund's School, Canterbury and Copeman Hart. Both are looking forward to the future, because they are both forward looking. Copeman Hart transcends but embraces traditional inheritance of the pipe organ with state of the art technology. St Edmund's School - by definition, a traditional framework of discipline - has had a tradition of looking forward since 1749. Hence the choice of a traditional pipe organ in electronic form from Copeman Hart."

Marcus Jeffrey, a Director of the School


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